Reptile Eye
9 x 12"
Tempera
Portrait Bust of Ingres in charcoal, drawn from sculpture by Bourdelle
"Shopping the Rusafa District in Baghdad, 2006"
This was a very dangerous time, the Summer 0f 2006.
The electrical service was sporadic so food wouldn't keep. Iraqi civilians, mostly women with their kids, had to go to the markets often to get food. There they were prayed upon by the warring guerrilla factions. Large explosions with high casualty counts made headlines, which in the minds of barbarians, somehow advances their cause. It was awful. My Iraq veteran comrades carry these haunting images which cannot be forgotten.
The electrical service was sporadic so food wouldn't keep. Iraqi civilians, mostly women with their kids, had to go to the markets often to get food. There they were prayed upon by the warring guerrilla factions. Large explosions with high casualty counts made headlines, which in the minds of barbarians, somehow advances their cause. It was awful. My Iraq veteran comrades carry these haunting images which cannot be forgotten.
Portrait study from marble bust of the painter Gerome by Jean-Baptiste Carpeaux
Charcoal study of sculpture "Head of a Woman (Cressida)" by Henry Fitch Taylor
Portrait Study from a metal bust "Head of Diana" by Alexander Falguiere
Fantasy Skeleton study
THE TRAGIC IRAQI WOMAN
Model: Jade Elizabeth, http://elizabethclaret.daportfolio.com/
Upchurch Dragon
Pencil and fountain pen
...a life drawing of a plastic figurine
This dragon began as a demonstration of how to pencil sketch that I did at a table of little kids at Upchurch elementary school. I went over the pencil sketch with a fountain pen and showed the class how pencil sketches are the first step to more involved work. I am very pleased with the spontaneity of this work. It really thrilled the kids.
Here is another view of the same dragon.
Flying House
Dry-Erase Marker
Demonstration, done in front of elementary art class
I drew constantly for my art students. Here are a few:
Close-Up view of Pilot and Chicken-Deck
Imaginative Lettering
Dry Erase Marker
Classroom demo on decorative lettering
Sunken wreck
Dry Erase Marker
A classroon drawing demo
I was an Art Teacher
Native American Faces
Hybrid Creature
Dry Erase Marker
Scary Eyed Monster
Dry Erase Marker
Horse Drawing
Dry Erase Marker
Black Cat
Dry Erase Marker
Classroom Drawing demonstration
Good-bye, Upchurch!
This was the first drawing I did for the classes on my first day of school. It was on the board when all the classes came in and it got such a great response that I always tried to keep cool drawing up. Now, the man on the horse is waving goodbye... It is very Bittersweet....
Crucifix
Skull study
Sylvia the Panther at Fleishhacker Zoo, San Francisco, mid 1970's
This panther, Sylvia, paced endlessly around her little living space. She would stop and pose for only few seconds and then restlessly move on. Again she would stop in a different spot, strike a pose, and move on. All together there were about ten or twelve places she would stop at and I could only get a few seconds of drawing time at each station. Eventually, she would work her way back to each spot and I'd draw her for a few more seconds. In this way I gradually, a little at a time, completed several pages of sketches of her.
Narrow Baghdad Alley
I drew this from memory soon after returning home from Iraq for the last time. There was far more clutter, cars, merchants and debris on the streets of Baghdad, but the expressions on the Iraqis are fairly accurate. Also, Iraqi men do not often wear the tight jeans, either. Everyone made eye contact with us - but it was hard to read what their expressions meant. Many seemed to be so happy to see us, while others hated us to the core. It was complicated - they were desperate and afraid for their lives. Guerilla war is not for the squeamish! The mysterious ladies in black were everywhere, with thier eyes communicating always.
Aboard an Arab Dhow
Detail of Iraqi Women Shopping in Rusafa District, Baghdad
The mysterious ladies in black... I admit that I embellish their figures which are very well hidden by thier abayas. I freely take artistic license because in real life it is still very apparent that they are gorgeous by the way they move, talk and look out from behind thier veils. No disrespect intended - it's just how I see.